LASTMAN, Pieter Pietersz.
Dutch Baroque Era Painter, ca.1583-1633
Dutch painter and draughtsman. He was the son of the goldsmith Pieter Segersz. His older brother Seeger Pietersz. [Coninck] became a goldsmith like his father, while his younger brother Claes Lastman became an engraver and painter. Pieter trained as a painter under the Mannerist artist Gerrit Pietersz., brother of the composer Jan Pietersz. Sweelinck. In June 1602 Lastman travelled to Rome, like so many of his contemporaries. Van Mander, in his biography of Gerrit Pietersz., mentioned his pupil 'Pieter Lasman [sic] who shows great promise, being presently in Italy'. While there, Lastman made two drawings of an Oriental in a Landscape (both 1603; Amsterdam, Rijksmus.), which betray his continuing stylistic dependence on his master (as can also be seen in three drawings made before his trip to Italy). Related to the drawings made in Italy is a series of 12 prints after designs by Lastman of figures in Italian costumes (Hollstein, nos 11-22). Lastman also visited Venice, as is documented by a drawing (Cambridge, Fitzwilliam) after Veronese's Adoration of the Shepherds in the church of SS Giovanni e Paolo. Lastman was apparently in Italy until March 1607 but thereafter spent the rest of his life in Amsterdam. Related Paintings of LASTMAN, Pieter Pietersz. :. | Abraham s Journey to Canaan | Odysseus and Nausicaa g | The Triumph of Mordecai g | Odysseus and Nausicaa | The Angel and Tobias with the Fish (detail) f | Related Artists: Johann Conrad Seekatz1719-1768 Rococo,German,German painter. He studied with his brother, Johann Ludwig Seekatz (b 1711), and with Philipp Hieronymus Brinckmann (1709-61) in Mannheim (1748-51); he became court painter to Landgraf Ludwig VIII von Hesse-Darmstadt in Darmstadt in 1753. Daniel Chodowiecki (16 October 1726 - 7 February 1801) was a Polish - German painter and printmaker with Huguenot ancestry, who is most famous as an etcher. He spent most of his life in Berlin, and became the director of the Berlin Academy of Art.
He was born in the city of Danzig in Poland, and in a letter in typical Berlin humor wrote, that he moved to Berlin, Germany, which shows for sure, that he is a 'genuine Pole'.[citation needed] He kept close to the Huguenot scene, due to his ancestry. A distant ancestor Bartholom us Chodowiecki had lived in the 16th century in Greater Poland . Gottfried Chodowiecki, Daniel's father, was a tradesmen in Danzig and his mother, Henriette Ayrer born in Switzerland, was a Huguenot. Daniel's grandfather Christian had been a tradesmen in the city as well. When his father died, both Daniel (aged 16) and his younger brother Gottfried Chodowiecki went to live with their uncle in Berlin, who offered to educate them, and where Daniel received an artistic training with the painter Haid in Augsburg. His brother also became a painter.
Soon Daniel was able to earn a living by painting. He was admitted to the Berlin Academy in 1764 and became vice-director under Rhode in 1788. He had found his true calling and became the most famous German graphic artist of his time. His works include several thousand etchings, usually rather small, and many drawings and paintings. He illustrated nearly all of the great classics. His prints represent in great detail the life of the middle classes during the Zopfstil period, a time between Rococo and Classicism. In 1797 Chodowiecki was appointed director of the Academy of Arts in Berlin, where he died on 7 February 1801. The bulk of his work was in illustrating scientific books by Basedow, Buffon, Lavater, Pestalozzi and others. He also painted many portraits of Polish gentry and was interested in Huguenot and Polish history as well, making some paintings on the topic. He was in tune with the developing spirit of the age, and many works reflect the cult of sensibility, and then the revolutionary and German nationalist feelings of the end of the century. Odilon RedonFrench Symbolist Painter, 1840-1916
Bertrand-Jean Redon, better known as Odilon Redon (April 20, 1840 ?C July 6, 1916) was a Symbolist painter and printmaker, born in Bordeaux, Aquitaine, France. Odilon was a nickname derived from his mother, Odile.
Redon started drawing as a young child, and at the age of 10 he was awarded a drawing prize at school. At age 15, he began formal study in drawing but on the insistence of his father he switched to architecture. His failure to pass the entrance exams at Paris?? Ecole des Beaux-Arts ended any plans for a career as an architect, although he would later study there under Jean-L??on Gerôme.
Back home in his native Bordeaux, he took up sculpture, and Rodolphe Bresdin instructed him in etching and lithography. However, his artistic career was interrupted in 1870 when he joined the army to serve in the Franco-Prussian War.
At the end of the war, he moved to Paris, working almost exclusively in charcoal and lithography. It would not be until 1878 that his work gained any recognition with Guardian Spirit of the Waters, and he published his first album of lithographs, titled Dans le R??ve, in 1879. Still, Redon remained relatively unknown until the appearance in 1884 of a cult novel by Joris-Karl Huysmans titled, À rebours (Against Nature). The story featured a decadent aristocrat who collected Redon's drawings.
In the 1890s, he began to use pastel and oils, which dominated his works for the rest of his life. In 1899, he exhibited with the Nabis at Durand-Ruel's. In 1903 he was awarded the Legion of Honor. His popularity increased when a catalogue of etchings and lithographs was published by Andr?? Mellerio in 1913 and that same year, he was given the largest single representation at the New York Armory Show. In 1923 Mellerio published: Odilon Redon: Peintre Dessinateur et Graveur. An archive of Mellerio's papers is held by the Ryerson & Burnham Libraries at the Art Institute of Chicago.
In 2005 the Museum of Modern Art launched an exhibition entitled "Beyond The Visible", a comprehensive overview of Redon's work showcasing more than 100 paintings, drawings, prints and books from The Ian Woodner Family Collection. The exhibition ran from October 30, 2005 to January 23, 2006.
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